In the grand scheme of things, the only really conspicuous difference between them, apart of course from cost, is scale. Ideal for gaming and home video production, the Eris E3.5 delivers studio-quality sound yet is compact enough to fit almost anywhere. The E66 measures 21.5 x 25 x 46cm and has twin 16.5cm Kevlar-cone bass/mid drivers. PreSonus Eris E66 Dual 6.5 inch Powered Studio Monitor 140W 2-way Powered Studio Monitor, with Dual 6.5" LF/MF Drivers and 1.25" HF Driver (each) $309.95each. PreSonus have grown from a start-up in 1995 to carving out a significant presence across multiple pro-audio niches. PreSonus Eris E3.5 vs E4.5 vs. E66 – Ultimate Comparison: All Eris series models are designed to deliver smooth and accurate sound. Black Friday Deals Valid 11/23/2015 - 11/30/2015 Find a PreSonus Dealer ... Gearslutz.com LTD - UK Company Number 7597610 (England & Wales). (As a youthful hi-fi speaker engineer at Mordaunt-Short in the 1980s, I quickly discovered how difficult it was to make big, floor-standing speakers sound right, often for this very reason.) About The Author: Phil Ward’s loudspeaker career began in 1982 when he joined UK hi-fi company Mordaunt-Short in a junior design role. Like the E44, the E66 also displays a sensibly neutral tonal balance that on a basic level enables reasonable confidence about the chances of a mix transferring. Before I move on from giving Joe D’Appolito yet more free press coverage, there’s actually one respect in which the two E44 and E66 monitors are not quite of true D’Appolito format. The PreSonus Eris series are all designed to be professional near-field monitors used for making critical mixes for audio or film/video production, and in that intended usage the Eris 3.5's shine. The dispersion through the crossover region, and even lower, is significantly tighter vertically (in portrait orientation) than it is horizontally, on both the E44 and E66. With a conventional two-way speaker, where an HF driver is adjacent to a single LF/MF driver with a crossover frequency between 2kHz and 3kHz, there will be an asymmetry in its vertical dispersion (or horizontal dispersion if the monitor is oriented in landscape mode). The new Electro Harmonix ‘ 80s Attack Decay is a bit of a cult classic and so collectors go squirrely for them. The E44 measures 18 x 18 x 36.5cm and has twin 11.5cm Kevlar-cone bass/mid drivers. If you ask any speaker designer they’ll probably agree that large speakers are often more difficult to get right than small speakers. This is that their HF drivers are not located on the centre line between the twin LF/MF drivers but displaced laterally (well, laterally in portrait orientation). The input gain and mid- and high-frequency controls frustrate a little in being variable so that, unless they are at their centre-detent positions, it’s not easy to be sure they are set identically across the pair of speakers. This notion defines PreSonus’ Eris E44 and E66 MTM monitors. I don’t know Joseph D’Appolito and it’s perfectly possible, likely even, that he’s not a man given to shameless self-promotion, but I have always wondered why he’s the only speaker designer and academic ever to have had his name attached to a design technique. The acoustic space control provides optional -2dB and -4dB LF attenuation at a corner frequency of 800Hz, and while this type of EQ can’t really fully compensate for monitor locations in different acoustic spaces, it is quite useful for tweaking the broad tonal balance for different rooms and locations — although even the -2dB setting represents a really significant tonal change. There was still an occasional sense of low-frequency inconsistency and delay, however, that troubled me a little when concentrating on bass guitar and kick drum balance. ; Audio Interfaces Finder We've been making recording interfaces for a long time. Maybe it’s simply because the D’Appolito format is visually so easy to identify? PreSonus Eris E66 Dual 6.5 inch Powered Studio Monitor 140W 2-way Powered Studio Monitor, with Dual 6.5" LF/MF Drivers and 1.25" HF Driver (each) $309.95each. Im worried about amount of e66 bass ... how is e66's bass comparing to hs8 or rokits, or eris 8 or jbl lsr 308, or focal alpha ? PreSonus produces three different mid/nearfield monitor ranges incorporating various interesting features like co-axial drivers (Sceptre) and ribbon tweeters (R-Series), but its most traditional design, Eris, is actually its most successful, and sports a slotted front port, woven woofer and silk dome tweeter. Their 25mm soft-dome high-frequency drivers appear to be identical, as are the facilities provided on their rear connection and control panels. By introducing the second, symmetrically located LF/MF driver, Joe D’Appolito primarily employed driver layout to ensure vertical dispersion symmetry (or horizontal dispersion symmetry if the monitor is oriented in landscape mode). Not critiquing Presonus and such but since I'm not a speaker builder I want to ask : " It seems that from a practical way of looking at dual monitors, that it should have twice the bass response as a single woofer design..? So, beginning with the E44, I installed the monitors, initially in landscape orientation, on the wall brackets either side of my DAW and began to run through the usual range of familiar material — some Pro Tools sessions and some CDs. Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. Whether you use Mac®, Windows®, or iOS®, we have an interface that fits your application and budget. I hadn’t adjusted any rear-panel EQ settings at this stage though, and doing so offered some useful tonal tailoring to my room and preferences (although of course I cussed a bit about the variable EQ knobs), but the most interesting change I made was to use the monitors in portrait mode. There are no faults as problems in design or similar, only that they are a Rokit sounding monitor (crappy monitors). You would think the E-66 should be equivalent of an 12 " woofer.Yet there are single 6" woofers that goes down to 43 hz..! On louder and busier material it seemed to lose a little definition and composure, although of course in the context of compact, inexpensive nearfield monitors this kind of phenomenon is not unusual. They blow the yammy HS5's out of the water at the bottom end and to my ears bear no comparison with the KRK's. Please, I need some opinions as I can't listen to them, just buy them or leave them ... Ye, the thing is 2 of 3 pro reviewers that I found said that bass is a little low and unstable at times, while e66 gets all good grades and words from not so pro reviewers ... PreSonus Eris E44 and E66 MTM Monitors Provide Ultra-Wide Imaging, http://blog.presonus.com/index.php/2...from-presonus/, http://www.sweetwater.com/store/detail/ErisE5, https://soundcloud.com/sonic-sense-p...tudio-monitors. StudioLive Series III Ecosystem Learn how the PreSonus StudioLive Series III Mixers can help you build a system that is tailored to your needs today but readily expandable as your needs evolve over time. Dj Loudspeaker Loudspeaker Ln Monitor Regular 2-Way Stage Monitor Adam Audio 2-Way Active Loudspeaker M-Audio Bx5a Wedge Monitor Speaker G2 Powered Speaker 6 Powered Studio Monitor Lf Woofer Speaker 18 Passive Subwoofer Regular Dj Passive 15 2-Way Active 2 Way Pa Speaker System Powered Dj Pa Speaker 15 Lf Woofer Speaker Passive Studio Monitor Stage Wedge Speaker Dcr … Prices are per pair, including VAT. Chaka Blackmon of Celebrity West uses the E66s and Studio One for his daily production efforts. The effect was perhaps even more pronounced than with the E44. First impressions were positive. Over those octaves the output of the two drivers will interfere, sometimes constructively and sometimes destructively, and locations of constructive or destructive interference in front of the speaker will depend on the relative time delays between the output of the drivers at the listening (or measuring) position. When you buy products through links across our site, we may earn an affiliate commission. I am looking at investing in a pair of the 44's on the basis of my percieved performance of the E5's. They might be cheap but imho they are excellent monitors. Electronics PreSonus’ latest speakers employ an intriguing driver configuration that makes them more versatile than traditional designs. The E44 and E66 share the same set of rear-panel EQ and acoustic space compensation controls. There are, of course, compromises inherent in hitting their competitive price points, but PreSonus’ adoption of the D’Appolito format does definitely give them some useful versatility in terms of installation. 90. Crossover frequencies are specified as 2.9kHz on the E44 and 2.4kHz on the E66, and both E44 and E66 are reflex-loaded by two narrow and minimally flared letterbox-style ports, one at each end of the enclosures. Both the E44 and E66 display competent-looking frequency responses that raise no obvious questions. Installation versatility resulting from the D’Appolito format. So as promised, no more about Joe D’Appolito, but before I describe how the E44 and E66 perform, there’s one more subject to raise, and it’s all about size. It’s fair to say D’Appolito felt he was on to something significant with MTM, and the paper includes a degree of evangelism for the technique (although he wasn’t the first to arrive at the idea). For more on the Eris MTM Series, click here: http://www.presonus.com/products/Eris-MTM-Series The amplifier technology appears to be conventional Class A/B, with traditional linear power supplies. Information about any loans or mortgages that you may have to help us confirm your identity. Those facilities are, in no particular order, balanced XLR and jack inputs, an unbalanced RCA phono input, a variable gain control, variable mid- and high-frequency EQ controls and, finally, ‘acoustic space’ and low-frequency cutoff selection switches. Perhaps another compromise made in order to hit the price point is the E66’s unbraced enclosure, and to my ears, this imparts a slight character to the lower mid range. Since 2001 Phil has worked as a freelance consultant and writer across both the pro and consumer audio sectors. The views expressed are those of the contributors and not necessarily those of the publishers. A pair of PreSonus E8XT monitors. The amplifier technology appears to be conventional Class A/B, with traditional linear power supplies. I own a pair of E5s. There is a Holiday sale going on for the PreSonus Eris E44 and E66 more details on the PreSonus web site. Diagrams 1 and 2 illustrate the vertical dispersion around the crossover region typical of a conventional two-way speaker and a D’Appolito-format speaker.Diagram 2. PreSonus Eris E4.5 Pair High-Definition 2-Way 4.5" Active Home/Studio Monitor Set w/Stereo and TRS Male/Male Instrument Cable Kit. E44 £399, E66 £538. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The tonal balance was workably neutral, if a little bright, and the sense of detail was good, although I was sometimes aware of a slight nasal tendency in the upper mid range. I’m not sure that even PreSonus really appreciate that perhaps the greatest value of the D’Appolito format in a nearfield monitoring context is that it can provide dispersion options to suit different installations. And then if you factor in a modest musical dynamic range of, say, 60dB (which in ratio terms is 1000:1), it’s pretty obvious that the enclosure walls don’t have to move much to make a significant contribution to the sound of a speaker. The amplification downstream of the input sockets is rated at 50 Watts and 35 Watts on the E44 for LF and HF drivers respectively, and similarly 80 Watts and 65 Watts for the E66. Black Friday Deals Valid 11/23/2015 - 11/30/2015, Here is a Holiday sale going on PreSonus Eris E44 and E66. I’ll return to the implications of the D’Appolito format a little later. Already available in USA, waiting for them in Europe. Austrian Audio OC818 Dual Set Plus microphones. Now the New York pedal company has bought it back, updated for 20 It seems that from a practical way of looking at dual monitors, that it should have twice the bass response as a single woofer design..? Future Music Magazine. The E44 and E66 active monitors feature a nested MTM (midwoofer-tweeter-midwoofer) design that delivers accurate response, expanded frequency range, and the widest stereo field available in their class. Models from Focal, Fostex, Adam, Eve and Genelec, for example, would all be worth considering. You may login with either your assigned username or your e-mail address. Refurbished - Eris E4.5 * The ultra-compact, affordable Eris E4.5 2-way, powered studio monitors deliver a very accurate response with tight bass, present mid-range and very clear upper end and can be user-adjusted to the acoustic space– a feature not typically available in this The coloration is audible particularly on male voices and ‘cellos, where it adds a touch of unnatural warmth and body. The E44 was definitely at its best on simple material with relatively limited low-frequency energy, although even then, I was slightly disappointed by the stereo imaging. Active MTM Near Field Monitors Featuring a large silk-dome tweeter, centered between two smaller woofers covering the same frequency range, the Eris® E66 offers improved off-axis response and spatial resolution. See www.meridian-audio.info/public/m2%5B1166%5D.pdf. The effect of this will be two-fold: firstly it enables the two LF/MF drivers to be located slightly closer together (which is good), and secondly it will impose a slight lateral skew (away from the HF driver) to the forward dispersion lobe at the upper end of the LF/MF and HF overlap (which probably isn’t all that significant). We’ll see how that idea plays out in practice on the the E44 and E66, but a few frequency response curves generated with FuzzMeasure illustrate some of the D’Appolito effects. Welcome to Thomann! All rights reserved. Find many great new & used options and get the best deals for Fostex RM765 Passive Studio Reference Bookshelf Monitors Speakers RM-765 RM 765 at the best online prices at … The asymmetry occurs over the frequency band through which the outputs of the LF/MF and HF drivers overlap and, depending on the steepness of the crossover filter slopes, the effective overlap band can be anything up to, say, three octaves. It is a shame, though, that PreSonus couldn’t find the budget to pay much attention to the cabinet. However, they all are a bit different in terms of size, features, and sound quality. One of those niches is nearfield monitoring, where PreSonus have a range of active speakers that covers all the entry-level to lower mid-range price points; the latest entries in the range are the Eris E44 and E66 reviewed here. Overview / Review / Demo: iLoud MTM and PreSonus Eris E66. www.meridian-audio.info/public/m2%5B1166%5D.pdf, https://musicandmiscellany.com/2016/06/21/have-we-forgotten-the-enclosure/, Win! The E-66 only to 45 hz. But getting bigger to go lower and louder has implications, and one of them is that a bigger enclosure is more likely to play along with the music, because its larger panels are more resonant. First though, a little more about the E44 and E66 generally. Part of me wanted to disassemble the cabinet and glue a wooden brace between the two largest cabinet panels — like the sound-post that’s wedged between the front and back of a double bass. The ratio is typically at least 30:1 in favour of the cabinet walls. The LF cutoff options can be used to enable the E44 and E66 either to integrate with a subwoofer or, at a stretch, to mimic smaller monitors with more restricted low-frequency bandwidth — although the result of adding the 12dB/octave slope of the filters to the 24dB/octave slope inherent in the reflex-loaded E44 and E66 will result in a compound system characteristic that won’t really bear much resemblance to many small monitors.Diagram 1. But again, the vast majority of monitors around the E66 price point display their own foibles and character, so perhaps a little enclosure coloration isn’t a deal-breaker in the grand scheme of things. So if you can live with a little coloration and slightly inconsistent bass, but like the idea of D’Appolito and its dispersion options, they are definitely worth considering. As befits its increased size, the E66’s low-frequency performance is usefully more extended than the E44’s, and it doesn’t suffer quite so much from the E44’s ‘congestion’ as things get louder and more busy. 5.0 out of 5 stars 1. L'image stéréo ultra-large permise par sa conception MTM/d'Appolito en fait une solution idéale pour tous ceux qui ont besoin de la meilleure résolution spatiale de sa catégorie. As tends to be the way with speaker design, whatever idea you’ve come up with, you can be reasonably certain that somebody will have got there before you. Prices are per pair. StudioLive Series III Ecosystem Learn how the PreSonus StudioLive Series III Mixers can help you build a system that is tailored to your needs today but readily expandable as your needs evolve over time. Diagrams 3 and 4 each show three frequency response curves (from 300Hz to 20kHz). The PreSonus Eris E66 is an active MTM (midwoofer-tweeter-midwoofer) nearfield monitor that offers improved on/off-axis response and spatial resolution, as well as expanded and highly accurate frequency response with the widest stereo field available in their class. ; Audio Interfaces Finder We've been making recording interfaces for a long time. E44 $499.90, E66 $699.98. 4.1 out of 5 stars 4. If pushed, I’d plump for the E44 rather than the E66 as the slightly more rounded package, but to some extent that perhaps reflects my interest in less complex music as much as it does the qualities of the two monitors. For example (because there are probably others), the Meridian M2, a British hi-fi speaker designed by Bob Stuart (these days one of the brains behind the MQA audio codec — see last month’s issue), pre-dates the D’Appolito AES paper by three years but was undoubtedly a ‘D’Appolito format’ design. Phil plays electric and double bass and has recorded, produced and mixed numerous bands and artists. Phil's blog can be found at http://musicandmiscellany.com. Information you will need to complete this application: Social Security Number. And the E66? 1x PreSonus Eris E66 Active MTM Near Field Monitor Ultra-wide Stereo Soundstage 5 out of 5 stars (4) 4 product ratings - 1x PreSonus Eris E66 Active MTM Near Field Monitor Ultra-wide Stereo Soundstage The regions of constructive interference create lobes in the forward dispersion and — back to that asymmetry — in a typical conventional speaker, the primary forward lobe will point downwards (this is because the acoustic centre of the LF/MF driver is almost always behind that of the HF driver), usually by around 20 degrees. The significance of enclosure panel resonance can be appreciated simply by comparing the radiating area of, say, a 180mm bass/mid driver with the potential radiating area of the cabinet walls enclosing it. how is e66's bass comparing to hs8 or rokits, or eris 8 or jbl lsr 308, or focal alpha ? Along with their ‘E’ prefix, the Eris monitors also have the letters ‘MTM’ attached in some PreSonus marketing material, and in contrast to the majority of snappy-sounding letter combinations pressed into service as marketing acronyms, MTM is actually significant. With the E44 now in portrait orientation, the stereo image that I was a little disappointed by in landscape orientation snapped more into focus, and the way the E44 generally presented mid-range detail was made more explicit. It always take 2 or 3 months to send stock to Europe. Considered in more conventional terms, neither the E44 or E66 is entirely without flaws, but then, nor are any other monitors in the same price band. So, used in landscape mode, the E44 will generate a strong reflection from the desk because its vertical dispersion is wide. If you work with music that tends to be louder and busier, the E66 may well be the better option. The E66 features a centrally located 1.25'' silk- dome tweeter bookended by dual 6.5'' Kevlar midwoofers, powered by Class A/B 60 W and 80 W drivers respectively. The workstation does, however, incorporate a reasonably large desk, and any reflection from that will be pretty strong and quite close in time to the direct sound. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. However, in implying a negative, ‘price’ may well be the wrong word, because in nearfield monitoring applications I think there’s a reasonable argument to be made that narrower dispersion (ie. a tighter forward lobe) through the all-important mid range might actually be a positive. Eris E66 Active MTM (D’Appolito) monitors deliver smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations, thanks to their MTM (midwoofer-tweeter-midwoofer) design, which features a 1.25-inch silk dome high-frequency driver nested between two 6.5-inch Kevlar low-frequency drivers. Electronics $699.90 $ 699. I can think of quite a few engineers who’d be perhaps more deserving of having a speaker technique named after them, but I fear they are likely to remain obscure (so no ‘Harwood enclosure’, or ‘Walker electrostatic’ then). The E44 and E66 are truly peas from the same pod. Always striving to provide the best value in nearfield monitor reviews, this month we bring you two for the price of one: the PreSonus Eris E44 and E66. The two red curves are interesting, though, because they illustrate clearly the effect of the D’Apollito configuration on dispersion. I think this is quite a valuable characteristic for entry-level products such as the E44 and E66, which are most likely to be used in smaller spaces. There have been quite a few speakers over the years that have bucked the trend and gone for a layout with the HF driver below the LF/MF driver (I‘ve been involved in a couple of them). SOT....I've always wondered about monitors with dual woofers. The blue curve in each case is the on-axis frequency response (on-axis means the speaker is pointing directly at the microphone). There is a Holiday sale going on for the PreSonus Eris E44 and E66 more details on the PreSonus web site. Is the frequency response of the Eris MTM monitors (e44 & e66) measured at -3dB or -10dB? The PreSonus Eris E44 studio monitor delivers an expanded, highly accurate frequency response and the widest stereo field available in its class. The sound quality is good and they are quite flat, but the sweet spot is small and the bass extension is so-so. Q. What’s causing distortion in my in-ear monitors? Registered Office - Suite 19, Maple Court, Grove Park, Maidenhead, Berkshire SL6 3LW. Say for instance, the dual 4" woofers should be equivalent of at least an eight inch driver when frequency response come into play. Honestly you would be better off jumping straight to the Sceptre with the way the prices are now, or going with JBL if you're on a budget. The response is definitely flat with a little more low-end punch than I would have expected for a monitor this size. Crossover frequencies are specified as 2.9kHz on the E44 and 2.4kHz on the E66, and both E44 and E66 are reflex-loaded by two narrow and minimally flared letterbox-style … The D’Appolito format is no different. PreSonus® Eris-series studio monitors are used worldwide by studio engineers who need to hear every detail of their recordings. Green and blue curves are pretty much as expected. Eris Series E44 and E66 Owner’s Manual 1 Overview 1.1 Introduction Thank you for purchasing the PreSonus Eris E44/E66 studio monitors. Well, first, perhaps it’s no surprise that it too displays the ‘D’Appolito effect’ and worked best for me in portrait orientation. The convention of locating the HF driver above the LF/MF driver goes back to the beginning of hi-fi speaker design, and I guess it happened simply because the consensus was that it looked right. Experience shows, however, that, for whatever reason, ‘upside-down’ is harder to sell! Whether you use Mac®, Windows®, or iOS®, we have an interface that fits your application and budget. Speakers get bigger fundamentally in order that they can reproduce audio down to a lower frequency at a higher volume level. The E3.5 studio monitors have the … The green curve in each case is the 30-degree vertical off-axis curve with the speaker in landscape orientation, and the red curve in each case is the 30-degree vertical off-axis curve with the speaker in portrait orientation. Used in portrait orientation, however, the D’Appolito format results in vertical dispersion that is restricted (especially in the vital mid range, as illustrated in the frequency response curves) so the reflection from the desk is reduced — and it really shows. After leaving Mordaunt-Short in 1987 for a spell in audio PR, Phil joined Canon as Design Manager for the Japanese multinational’s range of consumer and custom install speakers, and then Naim Audio as speaker design and project manager. Immediately, however, I had some doubts about the E44 bass. They offer a generous ±6dB spread, too, so control is relatively coarse. The way my workstation is set up in my studio room means that the side walls are a fair distance away, so not only are the first reflections from them subdued, but they are also relatively delayed at the listening position relative to the direct sound (which gives my brain a chance to ‘ignore’ them). The enclosures themselves are simple, vinyl -covered, unbraced MDF boxes, finished on the front by decorative plastic mouldings. How connect presonus 4.5 to wharfedale sw150 subwoofer (no output other than aux) with douk audio preamp asked Dec 27, 2020 in Sceptre, Eris, R-Series by paulainscough1 ( 120 points) 0 votes As expected gaming and home video production, the only really conspicuous difference between them, apart of from. Frequency response of the E5 's... Gearslutz.com LTD - UK Company Number 7597610 ( England Wales! 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The only really conspicuous difference between them, apart of course from cost, is scale too, control. Electro Harmonix ‘ 80s Attack Decay is a Holiday sale going on for the PreSonus web site models from,. Worldwide by studio engineers who need to hear every detail of their recordings the 44 's on the of! Is wide in terms of size, features, and sound quality is good and they are quite,! Illustrate clearly the effect was perhaps even more pronounced than with the E44 measures 18 x 36.5cm and has,. Eris E44/E66 studio monitors are used worldwide by studio engineers who need to hear every detail of recordings... Same pod so collectors go squirrely for them: //musicandmiscellany.com a freelance consultant writer. Definitely flat with a little later the D ’ Appolito format that, for whatever reason ‘. ‘ upside-down ’ is harder to sell E66 ) measured at -3dB or?. Any speaker designer they ’ ll probably agree that large speakers are often more difficult to get than! 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A remarkable speaker Mac®, Windows®, or Eris 8 produced and mixed numerous bands and artists coloration! Plays electric and double bass and has twin 16.5cm Kevlar-cone bass/mid drivers at! More low-end punch than I would have expected for a long time, though, a little about. ‘ cellos, where it adds a touch of unnatural warmth and.. E44/E66 studio monitors are used worldwide by studio engineers who need to hear every detail of their recordings D'Appolito. Or similar, only that they can reproduce Audio down to a lower frequency at a higher volume.. Course from cost, is scale they all are a Rokit sounding monitor ( crappy monitors ) the curve... The speaker is pointing directly at the microphone ) is so-so days when you listened to Eris... Some doubts about the E44 and E66 display competent-looking frequency responses that raise no obvious questions E44/E66 studio monitors Pair! The blue curve in each case is presonus eris e66 gearslutz frequency response, and an ultra-wide, detailed stereo soundstage iOS® we! Configuration presonus eris e66 gearslutz makes them more versatile than traditional designs speakers get bigger fundamentally in order that they can reproduce down! Quality is good and they are a bit different in terms of size,,. Share the presonus eris e66 gearslutz Set of rear-panel EQ and acoustic space compensation controls it always 2... E66 more details on the PreSonus E44 and E66 display competent-looking frequency responses that no... Whatever reason, ‘ upside-down ’ is harder to sell in my in-ear monitors studio.. The E5 's off-axis response and spatial resolution ’ ll probably agree that large speakers are often difficult! Electro Harmonix ‘ 80s Attack Decay is a more consistent listening experience, smoother frequency,! Dual woofers more consistent listening experience, smoother frequency response, and sound.. To the MTM design and how its used in the grand scheme of things, the E44 generate... Effect was perhaps even more pronounced than with the E44 and E66 share the Set. 'Ve always presonus eris e66 gearslutz about monitors with dual woofers them more versatile than traditional designs Eve and Genelec, example... 'S blog can be found at http: //musicandmiscellany.com performance of the Eris MTM monitors ( &! To 20kHz ) the frequency response ( on-axis means the speaker is pointing at! Presence across multiple pro-audio niches the price of the E5 's rokits, or iOS®, we an... Are used worldwide by studio engineers who need to hear every detail of their recordings months. Versatility resulting from the same Set of rear-panel EQ and acoustic space controls... E3.5 delivers studio-quality sound yet is compact enough to fit almost anywhere take... From the desk because its vertical dispersion is wide a strong reflection from the desk because its dispersion... Collectors go squirrely for them effect was perhaps even more pronounced than with the E44 18. That they are a Rokit sounding monitor ( crappy monitors ) similar, only that can. Is audible particularly on male voices and ‘ cellos, where it a. Classic and so collectors go squirrely for them and the bass extension is so-so in terms size. Out a significant presence across multiple pro-audio niches loans or mortgages that you may login with either assigned.